Posted by Friday on May 12th 2008 to
Journals
You know what really burns my butt?
A flame about three feet high.
— Miss Mona, Best Little Whorehouse in Texas
I have a deep, dark confession to make.
I love Dolly Parton.
I know, I know, this totally clashes with the hip kid persona I have tried (and so utterly failed) to cultivate.
But seriously, it does clash with my usual musical preferences, which generally hover in the hard rock, new wave, alternative and hip hop genres. I just can’t help myself; even as a kid, when my father’s country music playing on the radio above his handyman workbench in the garage would send me bolting in disgust, I actually kind of liked “Here You Come Again”. I’m happy to say I’ve become much more open-minded about various genres of popular music than I was as a snot-nosed black-T-shirt-wearing teen, and I’ve even added a few country albums to my CD collection over the years. But Dolly is in a class by herself in my heart. Is it her angelic voice, her irresistible giggle, her outrageous wigs, her Jessica Rabbit figure, her incredible song-writing talent (25 #1 hit singles and counting), her wonderfully down-to-earth attitude and willingness to poke fun at herself, that Smoky Mountain accent that takes me back to my years in Tennessee, the happiest of my childhood? It’s all those things, but I think the thing I like about her most of all is the joy she seems to exude. So when I heard she was coming to Boston, I unclenched my tightwad fist, opened my wallet, and shelled out the bucks for a concert ticket.
Despite the fact that it’s a mere 30 miles away, I rarely venture into Boston. Too much traffic, too little parking, WAY too many socialists. But for Dolly, I left work early, snarfed down dinner as quickly as possible, and made the trek to downtown B-town. I parked in the Boston Common Garage, which stays open all night and is quite cheap by Boston parking standards, which is saying very, very little. The Opera House was a pleasant stroll away on the other side of the Common, so I enjoyed the sunset on a spring day, people walking their dogs, a baseball game in progress. I became aware that I was in the theater district when I suddenly noticed I was surrounded by gay men. I mean, it’s not the Castro, but still, I was surprised. I made it to the Opera House without incident *or* getting lost (don’t worry, I more than made up for it on the way home) and a good 20 minutes early. Some of the Dolly T-shirts they were selling were sorely tempting, but I couldn’t bring my cheapskate self to fork over $40 for one.
The Boston Opera House is quite gorgeous; I sat slack-jawed while admiring the ornate fooferah on every inch of the walls and ceiling. I’ve been to a few concerts that were bi-generational, but this may have been the first one I’ve been to that was truly multi-generational. There were quite a lot of elderly people there. And people my age. And hipsters in their twenties. One guy dressed as a cowboy with a red hat, and a lot of women in evening dresses. I wore something pink and mildly cleavage-baring, in honor of the occasion.
Just my luck, a 70-year-old man going stag had the seat next to me and yes, he wanted to chat. Let’s call him “Spencer” (because that was his name). He lived on Beacon Hill and had walked to the show. I made the mistake of asking if it was considered safe to cross the Common after dark, to which he gallantly replied that he would be pleased to escort me back to my car after the show. I didn’t have the heart to wound his pride by pointing out that a senior citizen only slightly taller than myself wouldn’t offer all that much protection, if it came to that. So he became my date for the evening.
Dolly came onstage promptly at 8:00, “looking better than a body’s got a right to” considering she’s in her freakin’ 60’s. During the course of the evening, she performed several of her biggest hits, including “Here You Come Again”, “Jolene”, “I Will Always Love You” (did you know she wrote that song that made Whitney Houston the diva of the decade?), “9 to 5″, “Islands in the Stream”, and many I was unfamiliar with, including a few off her latest album, Backwoods Barbie. I knew she’s a great songwriter, and knew she defies the laws of physics by managing to play guitar with long, painted nails, but I had no idea she can play about 20 gazillion other instruments, some of which I couldn’t even identify. During the course of one show, she played guitar, banjo, slide guitar, piano, whistle/recorder(?), harpsichord(?), tamborine, and I know I’m forgetting a couple. She was also pretty spry for a 60-something who recently injured her back, prancing about the stage in high heels, and her voice sounds as good as ever, despite the fact that she has been performing in public and making records for over 50 YEARS. She actually sang a song she wrote, and recorded, when she was 10 years old! She also talked a lot about her very large, very close Pentecostal hillbilly family. During the song “Coat of Many Colors”, written about a coat her mother sewed for her out of scraps of cloth because they were too poor to buy one at the store, rumor has it that I may actually have shed a few tears, but of course I categorically deny any such accusations.
There was an intermission, after which Dolly came back in an adorable pink cowgirl outfit with a skirt so tight she could barely sit down to play the piano. Everyone in her band got an opportunity to solo during a medley of some of her favorite songs that spanned the decades of the 50’s, the 60’s, and the 70’s. It kind of boggles the mind to realize that she has been working steadily through every phase of modern popular music. And she has no intention of retiring; in fact, she said her wish is to eventually keel over on stage, mid-song, with a big smile on her face.
After the show, I was stuck with my noble escort (I did draw the line at taking his arm when profferred), who not only kept his word by leading me across the Common (although, considering that I was wearing suede sneakers, and recalling how many dogs had been getting walked earlier, I really wish he hadn’t made me walk through the grass), but escorted me *into* the garage and all the way to my car. And then asked me for a ride. WTF?! I didn’t see how I could say no, though, so I dropped him off at the foot of Beacon Hill, nearly getting creamed by a taxi for my efforts.
Apparently, every *single* highway in the state of Massachusetts is currently being worked on at night. My adventure with Spencer slowed me down just enough that the on-ramp I needed for the highway back to New Hampshire was walled off by cops and hazard cones just as I got to it; I was literally the first car to not get on. Then, my meager navigatory skills spent, I wandered aimlessly from highway to highway, somehow winding up in Saugus (mmmm, Saugus), then Newburyport, which I know is nowhere near where I wanted to be because that’s where my boss lives and she has a crappy commute. All in all, it took me at least 2 hours to get home. As God is my witness, I *will* buy a GPS system this year. I hate Massachusetts.
But I love Dolly.